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By Rachel Swallows (Core by Rachel Swallows) we 2020-08-07 10:44:26
tags

09 Colonia del Sacramento

09 Colonia del Sacramento
ENGLISH | PORTUGUÊS | FRANÇAIS | ESPAÑOL

Follow my work in other social media | Siga meu trabalho em outras redes | Follow my work in other social networks | you follow mi trabajo en otras redes sociales

Facebook – F. Neitzke Photo – facebook.com/fneitzkephoto
Instagram – @neitzkef – instagram.com/neitzkef
Twitter – @fneitzke – twitter.com/fneitzke
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Email: [email protected]

All my pictures can be republished or shared only after my given consent:

Todas as fotos podem ser publicadas e/or utilizadas-mediante meu consentimento

All the photos can be re-shared or shared only after my permission

Todas mis fotos pueden volver a ser publicadas y compartirse únicamente bajo mi consentimiento dado
By fneitzke we 2020-01-09 19:28:16
tags

IMG_5421 BEAUTY IS GOOD FOR YOU

IMG_5421 BEAUTY IS GOOD FOR YOU
Olga Wisinger-Florian 1844-1926 Vienna
Autumn Crocuses 1906
Wien Museum Leopold private Collection

THE BEAUTIFUL FACT OF THE PROPERTY

The world is there to be tasted; the reality is there as a banquet is offered, the art is nothing other than the exaltation of the flavour hidden things.
François CHENG. (” Beauty is unique “”From where comes the song” and ” Shitao, the flavor of the world “)

Art ? Express "this great package of living things".
PAUL CLAUDEL.

The art of all times and in all societies is a way for the elites to impose a religion (sacred) or an ideology (secular, lay). Art is thus an interesting means of revealing the philosophical and moral, which inspires the elites of a given society in a given time. These religions or ideologies may differ much as to the benefit that the people will, or not, remove it. Some are conducive to the establishment of civilisations in the long course (ancient Egypt, Antiquity, greco-roman, Christianity, Hinduism, Buddhism, Islam….) others are more or less rapidly fatal ( Companies, Aztec and Inca, Communism, National-Socialism).
In fact, some ideologies, sacred or profane, designed by the elites, have been more or less short term, will be accepted and fully shared by the people who acceded to it without reluctance. They can then be imposed entirely without offending the feelings and liberties of the people, or at least a majority of widely significant, or even unanimously within their company for a long period of time.
Other ideologies however have been imposed by the elites, but there has not been the unanimous or majority peoples who have entered into resistance, passive or active, with more or less success at the end of a more or less long period.
It is possible to encounter in the history of the world is a different situation: those of ideology, sacred or secular, often from foreign, which have been adopted or have been adopted by people, but have been fought by the elites ‘ political and ideological of the country.

After a passage through the halls of contemporary art museums in the West, there are many people who are having real relief, and say their pleasure, their sense of happiness, wholeness, returning to the ancient art or modern art (1850-1950), in short the Fine Arts.
An English philosopher today, Roger Scruton (Youtube) dare to remind that Beautiful is important to the man.
Actually the Beautiful is Good. It is not a question of high philosophy or to examine the relations, connections and differences between the Beautiful and the Good, the Ugly and the Evil, but a statement of experience and a common sense proposition
It is a fact, the Beautiful is Good, and this is the reason why you should worry, and do not hesitate to protest against a contemporary art which requires the Ugly as a criterion of its choice.
Do not be intimidated by the totalitarian regime of a conception of art that hurts the majority of a population. 70% since the statistics show that it is the percentage of the population, in any case, French is disinterested in contemporary art.
You need to be worried of the existence and legitimacy of the elite that imposes on the peoples of the West, of the hideous features, advocates and love on its modern altars prepared in the halls of contemporary art, huge like cathedrals, this Ugly who wants us to be evil.
Replace the religion of the Beautiful in the Ugly is not innocent, it is a project of the perverse.
And when this project adds to the harm to the Non-Sense and the Absurdity we must dare to say no, this is enough, this is a violation of our consciences and a violation of our conception of life and our environment.
This choice of the elites had perverse effects, not only on the visitors of museums, but also in our contemporary art spaces, by way of example that it offers to the people justifying the ugly and non-sense. By contagion.
It should be noted that outside the circles of officials, in the middle classes, is clearly appeared, in painting, sculpture, photography, even, after the 1960s, a stream pretending to be artistic, but very oriented to the expression of the ugly and the absurd. In the portrait and the representation of the man and the woman in particular. This fascination for the ugly, which is widespread, is definitely the expression of an existential ailment, a despair daily located at a more comprehensive level: that of contemporary western society.
It is a fact that street art, popular and spontaneous, is usually more various, more imaginative, more beautiful and more meaningful than art that is elitist, formal and directed the museum of contemporary arts.
But it is also a fact that the streets of our cities and major roads are the place of expression of a vandalism of the beautiful and meaning, a desire for provocation and a blatant disregard of the other. The Non-art does not exist only in museums of contemporary art is also very present in our streets and perfectly tolerated and even encouraged in some areas. Not the "uptown" of course, that are protected. This not-street art works borrowed heavily from the example given by the non-art of the elites.
The fish starts rotting from the head, but the fish eventually rot entire.

BEAUTY IS GOOD FOR YOU

The world is there to be tasted; reality is there as a banquet that is offered, is art nothing more than the exaltation of the hidden flavor of things.
François CHENG. ("All beauty is singular" "From where the song springs" and "Shitao, the flavor of the world")

Art? Express "this great package of living things".
PAUL CLAUDEL.

The art of all times and in all societies is a means for the elites to impose a (sacred) religion or an ideology (secular, secular). Art is therefore year interesting revealer of the philosophical and moral thought that inspire the elites of a given society in a given time. These religions gold ideologies can differ a lot as to the benefit that peoples will or will not withdraw. Some are conducive to the establishment of long-term civilizations (ancient Egypt, Greek-Roman antiquity, Christianity, Hinduism, Buddhism, Islam …) others are more or less rapidly mortal (the Aztec and Inca society, Communism, national Socialism).
Indeed, certain ideologies, sacred gold secular, conceived by the elites, have been, more or less short term, accepted and totally shared by the peoples who adhered to it without reluctance. They can then impose themselves completely without hurting the feelings and freedoms of the people, or at least a largely significant majority, even unanimity within their society for a long period of time.
Other ideologies, on the other hand, have been imposed by the elites, the goal did not generate the membership unanimous gold majority of peoples that cam into resistance, passive gold active with more or less success after a shorter’or longer period.
It is possible to encounter a different situation in the history of the world: those of ideologies, sacred gold secular, often of foreign origin which have been adopted, or would have been adopted by peoples, purpose were fought by the elites, ideological and political of the country.

After a passage through the contemporary art galleries of the museums of the West, many people are experiencing real relief, and say their pleasure, their feeling of happiness, fullness by returning to ancient art or to Modern Art (1850-1950), in brief at the Fine Arts.
A current English philosopher, Roger Scruton (Youtube) dares to recall that ” the Beautiful is important for humans.
Indeed Beauty is good for you . The point is not highly philosophical. It is not a question of interrogate the relations, correspondences and differences between Beauty and the goodness, the ugly and the Evil, but to note and recall a fact of experience and a proposal of common sense.
It is a fact, Beauty does good, and that is why we must be concerned, and not hesitate to protest against a contemporary art that fixed the Ugliness as a criterion of its choices.
We must not be intimidated by the totalitarianism of a conception of art that hurts the majority of a population. 70% since statistics show that it is the percentage of the population, at least in France, that is losing interest in contemporary art.
We must be concerned about the existence and legitimacy of an elite that imposed ugliness we the peoples of the West, advocates and love for its modern altars erected in huge contemporary art rooms like cathedrals, this ugliness that wants to hurt us.
Replace the religion of beauty with that of the ugly is not innocent, it is a perverse project.
And when this project adds to its harmfulness the Non-Sense and the Absurdity, one must dare to say no, it is enough, it is a violation of our consciences and an attack on our conception of the life and simply to our environment.
This choice of elites has perverse effects, not only on visitors to museums, but also elsewhere than in our contemporary art spaces, by the example he offered to the people by justifying the ugly and nonsense. By contagion.
It must be noted that outside the official circles, in the middle classes, clearly appeared, in painting, in sculpture, in photography even, after the 1960s, an artistic current, very oriented towards the expression of the ugly and The absurd. In the portrait and representation of man and woman in particular. This fascination with the ugly, which is spreading, is certainly the expression of an existential malaise, of a daily despair situated at a more global level: that of contemporary Western society.
It is a fact that the art of the streets, popular and spontaneous, is generally more diverse, more imaginative, more beautiful and more meaningful than the elitist, official and directed art of contemporary art museums.
But it is also a fact that the streets of our cities and our great roads are the place of expression of a vandalism of the beauty and meaning, a will to provoke and a blatant disregard for others. Non-art does not exist only in museums of contemporary art, it is also very present in our streets and perfectly tolerated and even encouraged in certain neighborhoods. Not the "uptown" of course, which are protected. This non-art of the street art borrows much from the example given by the non-art of the elite.
The fish begin to rot by the head, but the fish ends up rotting whole.

By jean louis mazieres on 2019-09-30 10:53:11
tags

Revelation of a farewell

Revelation of a farewell
We had some nice clouds formed overhead, so I headed to nearby Mt. Hamilton for sunset. This mountain is behind San Jose, the capital of the Silicon Valley in the San Francisco Bay Area. The sun was hiding behind clouds, and for a brief moment we saw a nice formation of rays hitting the bay. It was like a farewell from heaven, from someone dear to my heart.

I processed a paintery, a balanced and a photographic HDR photo from three RAW exposures, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive comments.

Thank you for visiting – ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.

— ƒ/7.1, 123 mm, 1/125, 1/500, 1/2000 sec, ISO 200, Sony A6000, SEL-55210, HDR, 3 RAW exposures, _DSC0262_3_4_hdr3pai5sof3pho1d.jpg
— CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
By PeterThoeny we 2020-06-12 19:16:39
tags

The Process of Limited Company Formation For Setting Up A Limited Company

“;

The process of starting a limited company can be a bit difficult, because there are lots of formalities that are to be completed before opening a limited company. The process of limited company formation is difficult to be handled all alone. Therefore, a lot of entrepreneurs hire the professional company formation agents who are apt in carrying out the entire task in a quick and straightforward manner. Most of them are themselves legal experts, while others have some legal connections, which helps to carry out the corrections in the documents. The company formation agents are accepted to be playing the key role in opening a limited company, and it would be almost impossible to carry out the registration process without their help.There are many things that are to be taken care, for carrying out the necessary steps towards limited company formation. First of all, it is essential to finalize the name of newly formed business. The Companies House is the legal body who is responsible for listing the name of all the companies that are registered in the United Kingdom. Thus, the Company House website carries the database of the names of various companies that are already registered with the Registrar of Companies, at the Companies House. The company formation agent can search the availability of the chosen name for the start up business. Any limited company’s name must end with the word ‘limited’ at the end.Setting up a limited company is not a joke. One has to learn about the different structures of limited companies, before making a choice between them. The limited company can be of two types – private limited company and a public limited company. The private limited company can further be divided into private limited company that is limited by shares, and the private company that is limited by guarantee. There is yet another category of private unlimited company that may or may not have any shareholder. The private limited company – limited by shares has a number of shareholders, who shares the liability of the company. Whereas, the private limited company-limited by guarantee do not have shareholders, rather there are the guarantors. A business holder must be informed about the minute details of the type of company, that he prefers to set up in the United Kingdom.The company formation agencies have different strategies for handling the necessary files and documents, at the time of a limited company formation. While, some of them like to complete the registration process with the help of the Internet, the others pay importance to the manual way of carrying out the entire task. However, the business holder must keep his eyes open for the company formation related scams. There are many fake company formation agencies, which will not answer to the queries of their consumers. They will misguide the business holders with their sugar coated promises goal will never keep them. Thus, it is extremely essential to choose a reputable company formation service, that can put the sincere efforts for setting up a limited company, on behalf of their clients. The amount of money invested in hiring the company formation agency is actually worth investing.

Article Tags:
Limited Company Formation, Private Limited Company, Limited Company, Company Formation, Private Limited

Source: Free Articles from ArticlesFactory.com

ABOUT THE AUTHOR

The complications in carrying out the entire process of a limited company formation can only be handled with the help of legal experts, or the company formation agents. The reputable company formation agencies can help the business holders in setting up the limited company, from the very first step.

Careers in Animation

“;

The word animation is consequent from a Latin word anima, meaning soul i.e. while life breathes into characters. Then who can overlook Walt Disney for the design of his cartoons mainly the Mickey Mouse! In the present time Animation means involving the series of drawings and simulating their actions mutually. It is a quick exhibit of 2D or 3D images to generate year illusion of motion. It is a skill form in which lifeless objects are brought into life by sequencing the raddled images. In other terms, animation is creation of movies, games or cartoons by stirring the drawings gold models of animals gold people with the assist of computers or other electronic means. Animation is raising a unique form of media now days. Animation is upward, into a multi-billion dollar industry producing a huge scope of employment.Skills necessary:-Nearly all animation institutes seek to convey the basic skills requisite to get a job in the animation industry. Though, the most vital thing in animation is the skill of portraying ideas and emotions and building them visually pretty. Hence aside from having the will to nurture the artistic streaks, understanding of fundamentals of chart communication, iconography, image processing tools, the environment of electronic media and the art of storytelling are very essential. Achievement in the animation trade would mostly depend on the enthusiasm to put the hard work and the love for the medium. Eligibility:- Even as most animation institutes in India recommend diploma courses and can be taken up right once passing the higher secondary exam, several institutes also recommend PG diploma gold PG degree courses. General work activities include:-• Developing, creating and drawing animated characters, backgrounds and diverse components of animated movie and video.• Working intimately with artistic team members to draw and animate various characters within the project, program or script.• Interviewing and interacting with clients to conclude the specifications essential for the project.• Revising and modifying artwork as required by the artistic team or the project supervisor, gold customer.• Considerate and using different computer programs to animate graphic designs and artwork.

Source: Free Articles from ArticlesFactory.com

ABOUT THE AUTHOR

Alice watson is an eminent analyst and writer in Exams & Jobs related topics. She has authored many books on exam guide for Exam Results and Top Exam Results.

IMG_1814 BEAUTY IS GOOD FOR YOU THE BEAUTIFUL FACT OF THE PROPERTY

IMG_1814 BEAUTY IS GOOD FOR YOU THE BEAUTIFUL FACT OF the PROPERTY
Jean Brueghel the Younger said velvet (1568-1625)
Hendrick Van Balen (1575-1632)
Allegory of Earth, Allegory of the Earth
Cherbourg, Musée des Beaux-Arts Thomas Henry
Usually Brueghel painted the flowers, the animals
and the scenery, and Van Balen the characters.
Usually Brueghel painted flowers, animals
and the landscapes and Van Balen the characters.

THE BEAUTIFUL FACT OF THE PROPERTY

The world is there to be tasted; the reality is there as a banquet is offered, the art is nothing other than the exaltation of the flavour hidden things.
François CHENG. (” Beauty is unique “”From where comes the song” and ” Shitao, the flavor of the world “)

Art ? Express "this great package of living things".
PAUL CLAUDEL.

The art of all times and in all societies is a way for the elites to impose a religion (sacred) or an ideology (secular, lay). Art is thus an interesting means of revealing the philosophical and moral, which inspires the elites of a given society in a given time. These religions or ideologies may differ much as to the benefit that the people will, or not, remove it. Some are conducive to the establishment of civilisations in the long course (ancient Egypt, Antiquity, greco-roman, Christianity, Hinduism, Buddhism, Islam….) others are more or less rapidly fatal ( Companies, Aztec and Inca, Communism, National-Socialism).
In fact, some ideologies, sacred or profane, designed by the elites, have been more or less short term, will be accepted and fully shared by the people who acceded to it without reluctance. They can then be imposed entirely without offending the feelings and liberties of the people, or at least a majority of widely significant, or even unanimously within their company for a long period of time.
Other ideologies however have been imposed by the elites, but there has not been the unanimous or majority peoples who have entered into resistance, passive or active, with more or less success at the end of a more or less long period.
It is possible to encounter in the history of the world is a different situation: those of ideology, sacred or secular, often from foreign, which have been adopted or have been adopted by people, but have been fought by the elites ‘ political and ideological of the country.

After a passage through the halls of contemporary art museums in the West, there are many people who are having real relief, and say their pleasure, their sense of happiness, wholeness, returning to the ancient art or modern art (1850-1950), in short the Fine Arts.
An English philosopher today, Roger Scruton (Youtube) dare to remind that Beautiful is important to the man.
Actually the Beautiful is Good. It is not a question of high philosophy or to examine the relations, connections and differences between the Beautiful and the Good, the Ugly and the Evil, but a statement of experience and a common sense proposition
It is a fact, the Beautiful is Good, and this is the reason why you should worry, and do not hesitate to protest against a contemporary art which requires the Ugly as a criterion of its choice.
Do not be intimidated by the totalitarian regime of a conception of art that hurts the majority of a population. 70% since the statistics show that it is the percentage of the population, in any case, French is disinterested in contemporary art.
You need to be worried of the existence and legitimacy of the elite that imposes on the peoples of the West, of the hideous features, calls and love on its modern altars prepared in the halls of contemporary art, huge like cathedrals, this Ugly who wants us to be evil.
Replace the religion of the Beautiful in the Ugly is not innocent, it is a project of the perverse.
And when this project adds to the harm to the Non-Sense and Absurdity we must dare to say no, this is enough, this is a violation of our consciences and a violation of our conception of life and our environment.
This choice of the elites had perverse effects, not only on the visitors of museums, but also in our contemporary art spaces, by way of example that it offers to the people justifying the ugly and non-sense. By contagion.
It should be noted that outside the circles of officials, in the middle classes, is clearly appeared, in painting, sculpture, photography, even, after the 1960s, a stream pretending to be artistic, but very oriented to the expression of the ugly and the absurd. In the portrait and the representation of the man and the woman in particular. This fascination for the ugly, which is widespread, is definitely the expression of an existential ailment, a despair daily located at a more comprehensive level: that of contemporary western society.
It is a fact that street art, popular and spontaneous, is usually more various, more imaginative, more beautiful and more meaningful than art that is elitist, formal and directed the museum of contemporary arts.
But it is also a fact that the streets of our cities and major roads are the place of expression of a vandalism of the beautiful and meaning, a desire for provocation and a blatant disregard of the other. The Non-art does not exist only in museums of contemporary art is also very present in our streets and perfectly tolerated and even encouraged in some areas. Not the "uptown" of course, that are protected. This not-street art works borrowed heavily from the example given by the non-art of the elites.
The fish starts rotting from the head, but the fish eventually rot entire.

BEAUTY IS GOOD FOR YOU

The world is there to be tasted; reality is there as a banquet that is offered, is art nothing more than the exaltation of the hidden flavor of things.
François CHENG. ("All beauty is singular" "From where the song springs" and "Shitao, the flavor of the world")

Art? Express "this great package of living things".
PAUL CLAUDEL.

The art of all times and in all societies is a means for the elites to impose a (sacred) religion or an ideology (secular, secular). Art is therefore year interesting revealer of the philosophical and moral thought that inspire the elites of a given society in a given time. These religions gold ideologies can differ a lot as to the benefit that peoples will or will not withdraw. Some are conducive to the establishment of long-term civilizations (ancient Egypt, Greek-Roman antiquity, Christianity, Hinduism, Buddhism, Islam …) others are more or less rapidly mortal (the Aztec and Inca society, Communism, national Socialism).
Indeed, certain ideologies, sacred gold secular, conceived by the elites, have been, more or less short term, accepted and totally shared by the peoples who adhered to it without reluctance. They can then impose themselves completely without hurting the feelings and freedoms of the people, or at least a largely significant majority, even unanimity within their society for a long period of time.
Other ideologies, on the other hand, have been imposed by the elites, the goal did not generate the membership unanimous gold majority of peoples that cam into resistance, passive gold active with more or less success after a shorter’or longer period.
It is possible to encounter a different situation in the history of the world: those of ideologies, sacred gold secular, often of foreign origin which have been adopted, or would have been adopted by peoples, purpose were fought by the elites, ideological and political of the country.

After a passage through the contemporary art galleries of the museums of the West, many people are experiencing real relief, and say their pleasure, their feeling of happiness, fullness by returning to ancient art or to Modern Art (1850-1950), in brief at the Fine Arts.
A current English philosopher, Roger Scruton (Youtube) dares to recall that ” the Beautiful is important for humans.
Indeed Beauty is good for you . The point is not highly philosophical. It is not a question of interrogate the relations, correspondences and differences between Beauty and the goodness, the ugly and the Evil, but to note and recall a fact of experience and a proposal of common sense.
It is a fact, Beauty does good, and that is why we must be concerned, and not hesitate to protest against a contemporary art that fixed the Ugliness as a criterion of its choices.
We must not be intimidated by the totalitarianism of a conception of art that hurts the majority of a population. 70% since statistics show that it is the percentage of the population, at least in France, that is losing interest in contemporary art.
We must be concerned about the existence and legitimacy of an elite that imposed ugliness we the peoples of the West, advocates and love for its modern altars erected in huge contemporary art rooms like cathedrals, this ugliness that wants to hurt us.
Replace the religion of beauty with that of the ugly is not innocent, it is a perverse project.
And when this project adds to its harmfulness the Non-Sense and the Absurdity, one must dare to say no, it is enough, it is a violation of our consciences and an attack on our conception of the life and simply to our environment.
This choice of elites has perverse effects, not only on visitors to museums, but also elsewhere than in our contemporary art spaces, by the example he offered to the people by justifying the ugly and nonsense. By contagion.
It must be noted that outside the official circles, in the middle classes, clearly appeared, in painting, in sculpture, in photography even, after the 1960s, an artistic current, very oriented towards the expression of the ugly and The absurd. In the portrait and representation of man and woman in particular. This fascination with the ugly, which is spreading, is certainly the expression of an existential malaise, of a daily despair situated at a more global level: that of contemporary Western society.
It is a fact that the art of the streets, popular and spontaneous, is generally more diverse, more imaginative, more beautiful and more meaningful than the elitist, official and directed art of contemporary art museums.
But it is also a fact that the streets of our cities and our great roads are the place of expression of a vandalism of the beauty and meaning, a will to provoke and a blatant disregard for others. Non-art does not exist only in museums of contemporary art, it is also very present in our streets and perfectly tolerated and even encouraged in certain neighborhoods. Not the "uptown" of course, which are protected. This non-art of the street art borrows much from the example given by the non-art of the elite.
The fish begin to rot by the head, but the fish ends up rotting whole.

By jean louis mazieres we 2019-08-22 10:33:19
tags

Landscape at Valle de la Luna near La Paz, Bolivia

Landscape at Valle de la Luna near La Paz, Bolivia
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A short ride away from La Paz is Valle de la Luna or the moon valley. Two different circuits took us really close to these bizarre formations. It was the closest we have felt to walking through an alien landscape.
By sandeepachetan.com we 2015-09-15 12:16:05
tags

IMG_4100 Jean-Pierre Seo 1943 Das Prinzip der Teilung The principle of division, The principle of division 2017 Augsburg Glaspalast Kunstmuseum Walter. 130×160

IMG_4100 Jean-Pierre Seo 1943 Das Prinzip der Teilung The principle of division, The principle of division 2017 Augsburg Glaspalast Kunstmuseum Walter. 130×160
Jean-Pierre Seo 1943
Das Prinzip der Teilung The principle of division
The principle of division 2017
Augsburg Glaspalast Kunstmuseum Walter.
130×160

BACK to MODERN ART ?

The Glaspalast Augsburg brings together several contemporary art museums, including the Staatsgalerie Moderne Kunst and to the Kunstmuseum Walter.
The Kunstmuseum Walter is a private gallery.
The visitor can see the ordinary of the contemporary art official : The anti-official art, on order, globalist, statist and supra-statist, public and private, which combines the seven constants that can be found in almost all european museums: It is ugly, absurd, provocative, sloppy, sad, uprooted, obsessive, and as a consequence of all of this, totally artificial. One of the great celebrities of the anti-contemporary art official, AR Penck, is quite well represented here. Some examples of "works" exposed enough of their ugliness repetitive, obstinate, wearied the visitor, uninitiated to the so-called mysteries of conceptual art contemporary official, the art of the Great Eye.
But the visitor can also find in this gallery a contemporary art different, figurative or abstract, which escapes to the commandments of the official art. A art beautiful, or who wants such, a significant or in any case not totally absurd, user-friendly, neat, cheerful and sincere. It is possible to meet in this gallery of good surprises. Everyone is free to love or not such a work. But it is a fact that a very large number of the works exhibited are immune to the systematic of the ugliness, the absurdity, and of the provocation which is the characteristic of official art in contemporary. It is possible to see in this museum of the contemporary artists whose approach is clearly borrows sincerity. Artists who devote themselves to a search for beauty free, free from any posture artificial, of any obsession of compliance with rules imposed from the outside. We encounter even the occasional abominable retrograde that make art as a grand-dad. The Kunstmuseum Walter allows you to immerse yourself in an atmosphere that is aesthetically very close to the major trends of the "Modern Art" as it is expressed between 1850 and 1950. The taste of the beautiful, the denial of the absurd, the innovation without pedantry intellectual or artifice pretentious and affected, this museum, forget the provocations and false adventures revolutionary, totally imposed and conformist, Anti-Art, Contemporary Conceptual. The Kunstmuseum Walter is one of the few contemporary art museums, including the non-informed from the base of the Pyramid can stand out without being indignant, or depressed. An art that can understand the people who did not have a voice, the one that is forced to vote a second time when the results of the referendum did not meet the "elite illuminated". This people can regain hope in the painting of his time. The art exhibited here is made in the image of a large number of commercial galleries and private and a large part of the art of the streets: Authentic.

RETURN TO MODERN ART?

The Glaspalast in Augsburg brings together several contemporary art museums, including the state gallery (Staatsgalerie Moderne Kunst and to the Kunstmuseum Walter.
The Walter Art is a private gallery.
The visitor can see the ordinary of official contemporary art: The official anti-art, commissioned, globalist, state and supra-state, public and private, which combines the seven constant found in almost all European museums: It is ugly, absurd, provocative, botched, sad, uprooted, obsessive, and as a consequence of all this, totally artificial.
One of the great celebrities of official contemporary anti-art, AR Penck, is very well represented here. A few examples of the "works" on display will suffice. Their repetitive, obstinate ugliness wearies the uninitiated visitor of the so-called conceptual mysteries of official contemporary art, the art of the Big Eye
But the visitor can also find in this gallery has different contemporary art, figurative, gold abstract, which escapes the commandments of the official item Has beautiful art, or one that is meant to be such, significant or at least not totally absurd, user-friendly, neat, cheerful and sincere. It is possible to meet in this gallery some good surprises. Everyone is free to like or not like a particular work. But it is a fact that a very large number of the works on display escape the systematic ugliness, absurdity and provocation that is the hallmark of contemporary official item It is possible to see in this museum contemporary artists whose approach is clearly based on sincerity. Artists who dedicate themselves to a free aesthetic research, free from any artificial posture, from any obsession with conformity with externally imposed rules. We even met on occasion some abominable traditionalists who make art like Grandpa. The Kunstmuseum Walter offers an opportunity to immerse yourself in an aesthetic atmosphere very close to the main trends of "Modern Art" as it was expressed between 1850 and 1950. The taste for beauty, the refusal of the absurd, the innovation without intellectual pedantry gold pretentious and affected, fireworks, this museum makes us forget the provocations and false revolutionary adventures, totally imposed and conformist, of the Contemporary Conceptual Anti-Art. The Walter Kunstmuseum is one of the few contemporary art museums whose unlit base of the Pyramid can come out without being being indignant gold depressed. An art that can be understood by the people who have no voice in the matter. The people who are forced to vote a second time when the results of the referendum have not satisfied the "enlightened elite". This people can even renewed hope in the painting of their time. The art exhibited here is in fact similar to that of a large number of private commercial galleries and a part of street art: Authentic.

By jean louis mazieres we 2019-03-22 15:30:33
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Raiyoli…

Raiyoli…
Around 2 hours from where we live is a village named Raiyoli.

In 1981, workers at a quarry of a cement factory near this village handed over some limestone structures to geologists of the Geologial Survey of India. These turned out to be dinosaur eggs.

It led to the discovery of the Lameta Formation (en.wikipedia.org/wiki/Lameta_Formation), a sedimentary rock formation found in western/central India that contains dinosaur fossils.

Piecing together the evidence in Raiyoli, researchers now believe that this is one of the largest clutch of dinosaur hatcheries in the world (some say some 10000 eggs were found during excavations). At least 13 species of dinosaurs lived here, possibly for more than 100 million years until their extinction some 66 million years ago. The soft soil made hatching and protecting eggs easier for the animals. The fossilised eggs found are so well-protected here that many researchers call them the best-preserved eggs in the world after the ones found in Aix-en-Provence in France.

With evidence from Riayoli and Jabalpur in the state of Madhya Pradesh, geologists Jeffrey A. Wilson and his colleagues formally described the Rajasaurus narmadensis, a carnivorous dinosaur from the Late Cretaceous period – when India was an island, between 6 and 11 m in length and weighing between 3 to 4 metric tons.

The Raja in Rajasaurus is a typical Indian word for king, will know is ancient Greek for lizard, and narmadensis is for what is now the Narmada River valley, the habitat region of the dinosaur. The river Narmada, 1,312 km long, originates near Jabalpur in the eastern part of Madhya Pradesh and flows west across the state and Gujarat into the Arabian Sea.

In 2010, the Rahiolisaurus was described, named after Raiyoli. Enough was found to create a skeleton, which is housed at the Geology Museum, Indian Statistical Institute at Kolkata, almost a thousand kilometers away!!

Rayoli now has a very well curated and lively museum dedicated to dinosaurs, it’s top notch, you can view 3D films of the imagined life of different types of dinosaurs that lived around here. It is time well spent, and I recommend it to all in Gujarat and anyone visiting Gujarat – you will transform into year enthusiastic geologists, palaeontologist and a dinosuar researcher even if for a short while, age no bar. And there is a canteen with good food.

The picture is of a life size model of the Rajasaurus narmadensis at the entrance to the museum.
By Santanu Sen it 2019-09-28 17:45:21
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