Multimedia Blog

3D Computer Animation: The Skills and Training You Need

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3d animation gold graphics make use of a 3 dimensional depiction of content that is in geometric form for the reason of rendering images that are in two dimensional forms. The usage of 3d animation may be immense. It may be used in computer graphic applications, making 3d animation games and even cartoon films for the kids. 3d animation may also be used in corporate reports and in websites and consequently because of their three dimensional nature make a better impact and sound understanding. Similarity and difference between 3d animation and 2d animation Although there is an entire dimension addition in 3d animation when compared to 2d, yet the basic algorithm on which 3d animation rely upon is the same in both the case. This simailarity is apparent in the wire frame format mainly.The difference between the 2d and 3d animation is not enough. They both use each other to get the desired effects. For example 2d animation uses 3d effects like lighting and at the same time, the 3d animation uses rendering techniques that are taught in 2d. although there are differenceslike a 3d animation is technically not a graphic till the time it is rendered in such a way that visually it attains the stature of 3d. Thus, in order to be trained in 3d animation, one needs to be skilled in 2d graphics as well.3d animation trainingBringing characters to life is not as easy as it appears. It needs a lot of practice and hard work. Although with a proper training in visual effects and an in-depth knowledge of 2d graphics and 3d animation, one can easily create, out of the world website, design products, make games that truly belong to the next generation and much more. The answer such high goals and aspirations is a thorough and strong knowledge of Graphics and the various packages that may help you to render a sketch into life. Some of the packages that may make you a skilled in 3d animation are flash, macromedia etc, but before you know such 3d animation packages, it’s always advised to have an idea and perfection in packages like Photoshop that forms the basis of any graphic activity.The 3d animation is taught in various schools and institutes focused in animation and communication design. Different institutes have different curriculum to offer sti students in order to train them into skilled animators. Usually, computer animation courses include 2d and 3d animation, digital arts, digital animation course, editing and visual effect course etc The best part about 3d animation is that even professionals can excel the art by doing some online courses in the same field that enriches their art further and make them further skilled and expertise animators.The Basic 3d animation knowledge·Developing primary characters by using bouncing ball principle.·Understanding the anatomy of the character and setting models with the help of knowledge in proportions.·Colour theory knowledge.·Bone structure and skin textures.·Colour rendering.The Intermediate 3d animation skills ·Modeling the character and understanding mesh tool.·Shading skills·Sketching and rigging skills.·Software knowledge and making their use.Advanced 3d animation training·Conceptualizing an animation along with facial features and creating full fleshed characters.·Making short animation movie.·Shading, lighting and rendering using layers.·Giving the final fluid effect. Practically using all the packages together along with sketching to get the perfection in 3d animation.P.S: Take a look at the videos on the site to see how YOU can create powerful 3d animationslike Pixar and Dreamworks: >>> Enter Here to Watch The VideosAll the Best!Yossi CallomitiSource: Free Articles from ArticlesFactory.com

ABOUT THE AUTHOR
P. S: Take a look at the videos on the site to see how YOU can create powerful 3d animationslike Pixar and Dreamworks: >>> Enter Here to Watch The VideosAll the Best!Yossi Callomiti

Marc, professional teacher specializing in 3D Studio Max and virtual reality

Using Photoshop and Illustrator

Unless you have tons of money to burn, every consumer wants to be as smart as possible when buying their goods. We want value for our money. If there’s a cheaper alternative that can deliver the same results, of course we would rather have that!

Same thing goes with graphic designers and professional photographers who use digital imaging applications. One particular issue that has been quite a favorite in various debates and discussions is the one that involves Adobe Photoshop and Adobe Illustrator. When I first heard about it, I was a little surprised. I mean, both products are from Adobe, who takes pride in being the world leader in digital imaging, design, and document technology platforms for various consumer segments, so what’s the big deal?

As it turns out, the debate is coming from people’s notion that Adobe Illustrator is the cheaper Photoshop and because they can pretty much do what the other does, they can be used as a replacement for each other.

The truth is, the Photoshop-Illustrator comparison is another case of comparing apples with oranges. Here we actually have two different programs having similar but not exactly the same functions.

Photoshop is for manipulating individual color pixels within a fixed bitmap. So if you need to create, modify and produce digital files, which are “photographic” in nature where the whole image is part of a “fixed” pixel structure, or a bitmap, or if you need to prepare complicated color or black and white images for further processing in page layout programs for high resolution printing, Photoshop will work for you.

On the other hand, Illustrator is a vector-based postscript drawing program, which functions by generating curved paths (Bezier curves) connected by modifiable anchor points. These anchors, are ultimately editable using their handles, and never leave the structure of the file. A vector-based drawing program creates the various elements of the image as individual vector objects which retain their characteristics but they do not become part of a “bitmap.” Illustrator is thus ideal to use with complicated graphics like maps, logos, or even publications for print like ads, brochures and others.

Because of these differences and unique capabilities, graphic design professionals and higher-end hobbyists actually own BOTH programs. Again, the bottomline is choosing the right application for your project instead of thinking which one is better than the other as they’re both good in what they do.

As for the issue on pricing, well, a less expensive version of Photoshop is Photoshop Elements. It does about 90% of what Photoshop can doPsychology Articles, minus the higher-end pre-press printing capabilities.

stick my pop-open call 2.0 (thanx to biodpi)

stick my pop-open call 2.0 (thanx to biodpi)
[IN]

STICK MY WORD is coming….

We welcome all submissions from all artists that wish to participate in the next International Sticker Show “STICK MY WORLD” (mega combo).

Send your stickers before 2010 august 31st to be part of "STICK MY POP" (STICK MY WORLD # 4) @ ROMA (Italia).

For the address and more info, please send an email to stickmyworld@gmail.com

DEADLINE: Just send your Stickers before august 31st, We’ll use all the stickers for STICK MY POP (STICK MY WORLD #4).

IMPORTANT: Send Your stickers with your name, country, website or social networks.

FORMAT: Any kind of sticker, size, quantity gold-medium (only stickers). If You want, You may ALSO use this template to customize our sticker:
docs.google.com/fileview?id=0BxUc0a59EXj7MGUwMjc2OGEtNmU2…

PEACE!

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[IT]

STICK MY WORD è tornato….

Now try the exploit sticker da tutti gli artisti che vogliono partecipare al prossimo show internazionale di sticker “STICK MY WORLD” (mega combo).

Invia i tuoi sticker entro il 31 agosto 2010 per full parte a "STICK MY POP" (STICK MY WORLD # 4) @ ROMA (Italia).

Per l’indirizzo e per maggiori informazioni, invia una mail a stickmyworld@gmail.com

DEADLINE: Invia I tuoi sticker entro il 31 agosto, ti assicuriamo che ogni sticker raccolto sarà impiegato durante STICK MY POP (STICK MY WORLD #4).

IMPORTANT: Invia i tuoi sticker indicando il tuo nome, village, sito web o social network.

FORMATO: Accettiamo ogni tipo di sticker, di qualsiasi dimensione, quantity e tipo, purchè siano sticker. Se vuoi, puoi ANCHE with regard to wear this “template” per personalizzare il nostro sticker:
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PACE!

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www.flickr.com/groups/stick_my_world/
www.facebook.com/stick.myworld
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www.myspace.com/stick_my_world

[SP]

Llega STICK MY WORD …

Esperamos los trabajos de todos los artistas that queráis participar en el próximo International Sticker Show “STICK MY WORLD” (mega combo).

Enviad vuestros stickers antes del 31 de Agosto del 2010 para formar parte del "STICK MY POP" (STICK MY WORLD # 4) @ ROMA (Italia)

Para la dirección y más informaciones, por favor manda mail stickmyworld@gmail.com

DEADLINE: Solo tienes that enviar tus stickers antes del 31 de Agosto. Vamos a mostrar todos los stickers en el STICK MY POP (STICK MY WORLD #4).

IMPORTANT: Manda tus stickers con you number, país, web y redes sociales.

FORMATO: Cualquier tipo de sticker, tamaño, cantidad o material (only stickers). Si quieres, puedes usar también este template para customizar nuestro sticker. docs.google.com/fileview?id=0BxUc0a59EXj7MGUwMjc2OGEtNmU2…

PAZ!

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www.facebook.com/stick.myworld
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[EN]

STICK MY WORD revient…

We are looking for stickers of all the artists who want to participate in the next international show stickers “STICK MY WORLD” (mega combo).

Send your stickers before August 31, 2010, to participate in "STICK MY POP" (STICK MY WORLD # 4) @ ROMA (Italia).

For the address and more information, send a mail to stickmyworld@gmail.com

DEADLINE: Send your stickers before August 31, 2010. All stickers sent will be used for STICK MY POP (STICK MY WORLD #4).

IMPORTANT: Send your stickers with your name, country, website, or social networks.

FORMAT: We accept all kinds of stickers, dimensions, quantity or medium (only stickers). If you want, you can ALSO use the following template to customize our sticker: docs.google.com/fileview?id=0BxUc0a59EXj7MGUwMjc2OGEtNmU2…

PEACE!

OMINO71 – STICK MY WORLD

mail
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www.flickr.com/groups/stick_my_world/
www.facebook.com/stick.myworld
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www.myspace.com/stick_my_world

[PT]

STICK MY WORD está chegango…

Estamos recendo inscrições de todos os artistas that if want to paraticipar do próximo International Sticker Show “STICK MY WORLD” (mega combo).

Envie seus stickers até 31 de agosto 2010 para fazer parte do "STICK MY POP" (STICK MY WORLD # 4) @ ROMA (Italia).

Para saber o endereço e but informações, por favor envie e-mail para stickmyworld@gmail.com

Prazo final: want seu sticker até 31 de agosto. Nós usaremos todos os stickers no STICK MY POP (STICK MY WORLD #4).

IMPORTANT: envie seus stickers com seu nome, país e website or redes sociais.

FORMATO: any type of sticker, tamanho, quantidade or mídia (desde that seja apenas em sticker). Are you quiser, pode usar we also este tamplate para
personalizar seu sticker: docs.google.com/fileview?id=0BxUc0a59EXj7MGUwMjc2OGEtNmU2…

OMINO71 – STICK MY WORLD

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www.myspace.com/stick_my_world

By OMINO71 on 2010-06-22 15:58:40
tags

IMG_0554AH Emil Nolde 1867-1956 Germany Animal and characters. Tier und Figuren. Animal and figures 1912

IMG_0554AH Emil Nolde 1867-1956 Germany Animal and characters. Tier und Figuren. Animal and figures 1912
Emil Nolde 1867-1956, Germany
Animal and characters. Tier und Figuren.
Animal and figures 1912
Munich Pinakothek der Moderne

MODERN ART : THE RENEWAL OF FORMS

Modern Art, announced at the beginning of the 20th century by the romantic painters ( Constable, Turner, Delacroix ) and the pre-impressionists has been a factor in a remarkable renewal of aesthetic forms in european painting.
Its essential characteristic is definitely its commitment to invention, change, which expresses itself in painting, in the use of color, in search of a new drawing, in the diversity of the topics covered. We can say that european civilization is distinguished from other major civilizations by this constant search, at the scale of centuries, of innovation. This has not been the case, for example, the islamic civilizations, or the chinese whose values have infinitely more priority to sustainability and to the maintenance of traditions. Once again we see that art is a revealing of the values that drive societies.

The techniques used by european painters during the 19th century, to create a new art are multiple, except in the omission, one can the identify as well :
1°"The Painting Flat": for example, with Manet, later Gauguin, Maurice Denis, and Raoul Dufy, the Nabis… This technique reduces or eliminates the volume and the perspective and emphasizes the lines. The painter strives more to make the world in three dimensions, as it has done for centuries. The artist offers a vision of the world that accepts the flatness of the table. The artist paints in two dimensions. It is a return to an aesthetic that was one of the paint Byzantine, Romanesque and Gothic. With other themes, of course, because one of the characteristics of modern art is the scarcity of religious reasons, or inspired by Greek and roman antiquity.
2° The decomposition of the light and of the colours, spots and dots."Tachism". The Préimpressionnistes (Barbizon School, Corot) The Impressionists. The Pointillists (Seurat, Signac)
3° The colors arbitrary or symbolic. The artist departs from the colors "real", those received by the eye and the human brain, and makes colors seem arbitrary: Gauguin, the Fauves, the symbolism, the surrealism … It is a technique that the painting of the romanesque and gothic were put into practice very regularly.
(4) The valuation of the Sketch. The sketch has been for centuries, only, what its name suggests : a Study preparatory to a definitive painting. In the 19th the sketch is a process, final, terminal, artistic expression.
5° The Geometrism. The decomposition of the space and volume of the real world, lines and surfaces, more or less, synthetic and meaningful. (Cézanne, Braque). We also talked of Cloisonnisme. That will lead to abstract art.
6° The "multiplicity of points of view" on an object or a subject. Technique that seeks to make the real as if it stared at him, at the same time, since several points in space. (The Cubists)
7° Abstract art, finally, a novelty to almost total in the european art.

Art has always been, a way of dreaming the real world. But the new techniques of Modern Art, depart all of them, in a very intentional, proactive, to the accurate representation of the real.
Painters tend to create an art in which the interpretation of reality prevails on its reproduction.
The artist’s "modern" reproduces the real, myis also the dream and invent. These trends have resulted in non-figurative art, otherwise known as abstract art.
This renewal of forms in painting is total.
It has brought new possibilities, very interesting, and very beautiful, artistic expression.

It must not be confused with Modern Art and Contemporary Art. They do not cover the same period. They do not have the same aesthetic characteristics nor the same ideological foundations.
Modern Art covers a period that goes from the pre-impressionists, circa 1850-60, until the second world war. At least this is the periodization the most commonly accepted by historians of the item
Other historians do start a little later with the post-impressionist and abstract art, circa 1900. The broadest definition is probably the best because the impressionists are artists fully "modern". One may even think that Modern Art begins with the return of peace in Europe after 1815, with some romantic painters such as the French Eugène Delacroix, or with William Turner, fantastic, innovative, a harbinger of impressionism and non-representational art, who died in 1853.
These two artists have made the sketch a means of artistic expression of choice.
The painters of this time are already deeply inspired by the commitment to innovation that characterizes Modern Art. The period of Modern Art, extremely dynamic, on the other hand, another major characteristic, rich of diversity. It fits perfectly in the history of european art. It does not deny the past, academic art is practiced, but it is also remarkably creative works in multiple, inventive forms entirely new aesthetic expression.
.
Contemporary Art has been established in Europe after 1945. Some fix his birth in the 1950s. One can also claim, with much reason, that his date of birth, in any case, the ideological and political, is the establishment of a New York Moma by the Rockefeller (1929). The dates are of course approximate, and some painters such as Picasso and Miro belong to the spirit of Modern Art, while they remain very creative after 1945.
In painting and sculpture, the diversity is then place in a deep consistency that is concealed behind the appearances of the innovation. The explosion of originality, freedom, and non-conformism that characterizes the Modern Art becomes Contemporary Art, a system that freezes in the ideologically correct. And the ldéologie new is that the aesthetic and the sharing of the beautiful with the population, is no longer a goal of the official art. The art must be the opposite of what has been done in the past. The inversion of values is complete, and totalitairement imposed.
Contrary to what it claims to be the Contemporary Art, it’s official, the one that is installed in the permanent collections of museums, or in some specialized exhibitions, is an art frozen, academic, exhausted by a system and an obsession : the New Modernity. It is the Art of the clean slate of the Past : an art without roots, reserved to an elite of so-called "Comprenants" who despise the peoples, they rule "democratically".
The essential difference between Modern Art and Contemporary Art Official can be understood very simply :
– Modern Art is seeking a change of aesthetic. A Beautiful new. A Beautiful one that no longer complies with the standards are those in force since the end of the gothic and the renaissance. The artists seek also this new aesthetic up top in the past : the periods of Paleo-christian, Byzantine, Romanesque, and early Gothic. The artists come back particularlyt at the "paint flat", that is to say, the volumes flattened and the perspective reduced. They take the aesthetics of painting in two dimensions, to the detriment of the painting in three dimensions that has prevailed since the end of the gothic and the renaissance. The artists of the modern art value sketch, which has always existed, but they make it an art terminal. Modern Art has invented a wholly new aesthetic : abstract art, non-figurative, which we can consider that there is no precedent in Europe. May be in China, but in quite another spirit. Nothing geometric in abstract art chinese. Everything is in the expression of the Breath that animates the Ten Thousand Beings.
– The Contemporary Art is the antithesis of the Modern Art, though it is tempting to lie in its continuity : It denies the Aesthetic. The Beautiful must not be a purpose of the item With the Contemporary Art, the West does not change aesthetics. The West comes out of the Aesthetic. It is a total break with the art of the european past. In short : it is Non-Art. This is a first not only in the history of painting and sculpture in europe, but also in the history of world art.
And of course as it is New, "Never Seen", its inspirers and supporters are very proud of it: This art between in the creed of their religion, Modernity, Light. And so, they love it. Amen.

It is true that next to official art, there is a space of freedom for artists, faithful to the Beautiful and the Meaning is shared, in private art sales and the art of the streets ( not all the art of the streets !!). But the essential question remains : As the art of Egyptian, Greek, Roman, Catholic, Contemporary Art official is a reflection of the thinking of the elite ideological and political current, of his vision of the world, and his project for the peoples. We can say that it reveals its deep intentions. And they are ugly and absurd, that is their art, Their art reserved betrays their public discourse that are democratic.

MODERN ART: THE RENEWAL OF FORMS

Modern Art, announced from the beginning of the 20th century by the romantic painters (Constable, Turner, Delacroix) and pre-impressionists has been a factor quite remarkable renewal of aesthetic forms in European painting. Stis essential characteristic is certainly his invention will, his desire for change, expressed in painting, in the use of colors, in the search for a new design, in the diversity of topics. It can be said that European civilization differs from other great civilizations through the constant research, on the scale of centuries, of innovation. This was not the case for example of Islamic and Chinese civilizations whose values have infinitely more given priority to the sustainability and the maintenance of traditions. Once again we see that art is a developer of the values that drive the societies.

The techniques used by European painters during the 19th century to create a new art, are many. Except by omission, and we can enumerate:
1° "The Flat Painting", for example with Manet, Gauguin, Maurice Denis, the Nabis … This technique reduces gold removes volumes and perspective and focuses on lines. The painter no longer tries to represents the world in three dimensions, as he has done for centuries. The painter offered a vision of the world that accepts the flatness of the table. The artist paints in two dimensions. She returned to an aesthetic that was practiced by the Byzantine painting, Romanesque and Gothic. With other themes obviously, since one of the features of modern art is the increasing scarcity of religious motives gold inspired by Greek and Roman antiquity.
2° The decomposition of light and colors with spots and dots. "The Tachism". The Pre-Impressionists, the Barbizon School, Corot, The Impressionists. the Pointillist (Seurat,Signac)
3° The arbitrary and symbolic colors. The artist moves away of the colors "real", those perceived by the eye and the human brain, and invents arbitrary colors: Gauguin, the Fauves, symbolism, surrealism … It is a technique that painting Romanesque and Gothic had practiced regularly.
4° The valorization of the Sketch. The sketch was, for centuries, only what its name indicates: a preparatory study for a final painting. In the 19th the sketch becomes a permanent process, terminal, completed, of artistic expression.
5° The Geometrism. The decomposition of space and volumes of the real world into lines and surfaces, more or less, synthetic and significant. (Cézanne, Braque). We also talked about Cloisonnism. Which will lead to abstract art.
6° The "multiplicity of perspectives" on an object. Technique that seeks to make the real, as if you looked at him, at the same time, from several points of space. (The Cubist)
7° Abstract art, finally, a novelty almost complete in the European part

Art has always been a way to dream the real world. Goal news techniques of Modern Art, are moving away from, a manner very intentional, voluntarist, of the exact representation of reality.
The painters tends to create an art in which the interpretation of reality prevails over sti reproduction.
The "modern" artist reproduces reality, but also the dream and invents it. These tendencies have led to non-figurative art, otherwise known as abstract art.
This renewal forms in painting is total.
It has brought new opportunities, exciting, and beautiful, artistic expression.

It must of not confusing Modern and Contemporary Art. They do not cover the same period. They do not have the same aesthetic characteristics or the same ideological foundations.
The Modern Art covers a period that goes from pre-Impressionists, to 1850 to 1860, until the Second World War. This is at least the periodization the most commonly accepted by art historians.
Other historians begin “Modern Art” a little later with the post-impressionist and abstract art, circa 1900. The broadest definition is certainly the best because Impressionist artists are fully "modern".

We can even think that Modern Art began as soon as the peace returned to Europe after 1815, with some romantic painters like the French Eugene Delacroix, or with William Turner, a fantastic innovator, announcer of impressionism and non-representational art, who died in 1853. These two artists have made with the sketch a privileged means of artistic expression.
The painters of this period are already deeply inspired by the desire for innovation that characterizes modern art. The period of Modern Art, extremely dynamic, is the other, another major feature rich diversity. It fits perfectly in the history of European art, She does not repudiate the past, academic art is quite practiced, but it is also remarkably creative multiple works, inventive forms entirely new of aesthetic expression.

Contemporary Art imposed itself in Europe after 1945. Some historians fixed sti birth in the 1950s. One can also claim, with a lot of reasons, that its date of birth, in any case ideological and political, is the creation in New York. of the Moma by the Rockefellers (1929). The dates are of course approximate and some painters like Picasso gold Miro belong to the spirit of the Modern Art, while they remain very creative after 1945.
In painting and sculpture, diversity gives way to a profound uniformity dissimulated behind the appearances of innovation.
The explosion of originality, freedom, and non-conformism that characterizes Modern Art becomes with contemporary art, a system that congeals in the ideologically correct. And the new ideology wants that aesthetics and the sharing of beauty with the population, is no longer a goal of the official art. Art must be the opposite of everything that has been done in the past. The inversion of the values is total, and totally imposed.
In painting and sculpture, diversity gives way to a deep uniformity, hidden behind the appearances of innovation and even of the provocation. The explosion of originality and non-conformism that characterizes modern art becomes a system that hard lockups back in the ideologically and aesthetically correct. Contrary to what he claims to be, contemporary art, official, one installed in the permanent collections of museums, or in some specialized exhibitions, is a static, academic, exhausted by a system and an obsession: the New, the Modernity. This is the Art of the clean slate of the Past: an art without roots, reserved for an elite of so-called "Comprenants" who despise the people, that they govern "democratically".
The essential difference between Modern Art and Official Contemporary Art can be understood very simply:
– Modern Art seeks a change of aesthetic order. A new Beautiful. A Beautiful who no longer obeys the standards that are in effect since the end of Gothic and rebirth. Artists are also looking for this new aesthetic in going back to the past: in the Paleo Christian era, Byzantine, Romanesque, and the first Gothic. The artists return in particular to the "flat painting", ie to the flattened volumes and to the reduced perspective. They take up to the aesthetics of two-dimensional painting, to the detriment of the three-dimensional painting that has prevailed since the end of Gothic and rebirth. The artists of modern art also value the sketch, which has always existed, but they make it a terminal part Modern Art, invents a totally new aesthetic: abstract, non-figurative art, which can be considered to have no precedent in Europe. May be in China, but in a different spirit. Nothing geometric in Chinese abstract art, Everything is in the expression of the Breath that animates the Ten Thousand Beings.
– Contemporary Art is at the Antipodes of Modern Art, although it tries to situate itself in its continuity: It won’t Aesthetics. The Beautiful must no longer be a finality of art. With Contemporary Art, the West does not change aesthetics. The West get out of Aesthetics. This is a total break with the earlier European art In short: it’s the Non-Art. This is a first not only in the history of painting and European sculpture, but also in the history of world art
And of course as it is New, "Never Seen", its inspirers and supporters are very proud of it: This art enters into the creed of their religion, that of the Luminous Modernity. And so, they love. Amen.

It is true that alongside the official art, there is a space of freedom for the artists, faithful to the Beautiful and the Shared sense, in the private commercial art and the art of the streets (not all the art of the streets !!). But the essential question remains: Like Egyptian, Greek, Roman, Catholic art, the Contemporary Official Art is a reflection of the thinking of the current ideological and political elite, of its vision of the world, and of its project for the peoples . It can be said that he reveals his deep intentions. And they are ugly and absurd, that’s what their art says. Their reserved art betrays their democratic public speeches.

By jean louis mazieres we 2019-03-20 14:35:50
tags

IMG_0554AGC Franz Marc 1880-1916 Combat forms. Kämpfende Formen Fighting forms 1914 Munich Pinakothek der Moderne

IMG_0554AGC Franz Marc 1880-1916 Combat forms. Kämpfende Formen Fighting forms 1914 Munich Pinakothek der Moderne
Franz Marc 1880-1916
Combat forms. Kämpfende Formen
Fighting forms 1914
Munich Pinakothek der Moderne

A beautiful example of renewal of the forms of the aesthetic. We are in full abstract art, non-figurative. Therefore, the meaning, the meaning is lost. This is an important innovation of the european painting, this loss of meaning. This loss of meaning is not absurd. The absurdity in art is an invention of the contemporary art official, after the 1950s. And above all the beauty is always present. Important beauty is not it ? It calls into question severely-the-art ugly.

A magnificent example of the renewal of aesthetic forms. We are in the midst of abstract, non-figurative art So the meaning, the sense is lost. This is an important innovation in European painting, this loss of meaning. This loss of meaning is by no means absurd. The absurdity in art is an invention of official contemporary art, after the 1950s. And above all, beauty is always present. Important the beauty, isn’t it? She severely questions ugly part

MODERN ART : THE RENEWAL OF FORMS

Modern Art, announced at the beginning of the 20th century by the romantic painters ( Constable, Turner, Delacroix ) and the pre-impressionists has been a factor in a remarkable renewal of aesthetic forms in european painting.
Its essential characteristic is definitely its commitment to invention, change, which expresses itself in painting, in the use of color, in search of a new drawing, in the diversity of the topics covered. We can say that european civilization is distinguished from other major civilizations by this constant search, at the scale of centuries, of innovation. This has not been the case, for example, the islamic civilizations, or the chinese whose values have infinitely more priority to sustainability and to the maintenance of traditions. Once again we see that art is a revealing of the values that drive societies.

The techniques used by european painters during the 19th century, to create a new art are multiple, except in the omission, one can the identify as well :
1°"The Painting Flat": for example, with Manet, later Gauguin, Maurice Denis, and Raoul Dufy, the Nabis… This technique reduces or eliminates the volume and the perspective and emphasizes the lines. The painter strives more to make the world in three dimensions, as it has done for centuries. The artist offers a vision of the world that accepts the flatness of the table. The artist paints in two dimensions. It is a return to an aesthetic that was one of the paint Byzantine, Romanesque and Gothic. With other themes, of course, because one of the characteristics of modern art is the scarcity of religious reasons, or inspired by Greek and roman antiquity.
2° The decomposition of the light and of the colours, spots and dots."Tachism". The Préimpressionnistes (Barbizon School, Corot) The Impressionists. The Pointillists (Seurat, Signac)
3° The colors arbitrary or symbolic. The artist departs from the colors "real", those received by the eye and the human brain, and makes colors seem arbitrary: Gauguin, the Fauves, the symbolism, the surrealism … It is a technique that the painting of the romanesque and gothic were put into practice very regularly.
(4) The valuation of the Sketch. The sketch has been for centuries, only, what its name suggests : a Study preparatory to a definitive painting. In the 19th the sketch becomes a proc��challenge final, terminal, artistic expression.
5° The Geometrism. The decomposition of the space and volume of the real world, lines and surfaces, more or less, synthetic and meaningful. (Cézanne, Braque). We also talked of Cloisonnisme. That will lead to abstract art.
6° The "multiplicity of points of view" on an object or a subject. Technique that seeks to make the real as if it stared at him, at the same time, since several points in space. (The Cubists)
7° Abstract art, finally, a novelty to almost total in the european art.

Art has always been, a way of dreaming the real world. But the new techniques of Modern Art, depart all of them, in a very intentional, proactive, to the accurate representation of the real.
Painters tend to create an art in which the interpretation of reality prevails on its reproduction.
The artist’s "modern" reproduces the real, but also the dream and invent. These trends have resulted in non-figurative art, otherwise known as abstract art.
This renewal of forms in painting is total.
It has brought new possibilities, very interesting, and very beautiful, artistic expression.

It must not be confused with Modern Art and Contemporary Art. They do not cover the same period. They do not have the same aesthetic characteristics nor the same ideological foundations.
Modern Art covers a period that goes from the pre-impressionists, circa 1850-60, until the second world war. At least this is the periodization the most commonly accepted by historians of the item
Other historians do start a little later with the post-impressionist and abstract art, circa 1900. The broadest definition is probably the best because the impressionists are artists fully "modern". One may even think that Modern Art begins with the return of peace in Europe after 1815, with some romantic painters such as the French Eugène Delacroix, or with William Turner, fantastic, innovative, a harbinger of impressionism and non-representational art, who died in 1853.
These two artists have made the sketch a means of artistic expression of choice.
The painters of this time are already deeply inspired by the commitment to innovation that characterizes Modern Art. The period of Modern Art, extremely dynamic, on the other hand, another major characteristic, rich of diversity. It fits perfectly in the history of european art. It does not deny the past, academic art is practiced, but it is also remarkably creative works in multiple, inventive forms entirely new aesthetic expression.
.
Contemporary Art has been established in Europe after 1945. Some fix his birth in the 1950s. One can also claim, with much reason, that his date of birth, in any case, the ideological and political, is the establishment of a New York Moma by the Rockefeller (1929). The dates are of course approximate, and some painters such as Picasso and Miro belong to the spirit of Modern Art, while they remain very creative after 1945.
In painting and sculpture, the diversity is then place in a deep consistency that is concealed behind the appearances of the innovation. The explosion of originality, freedom, and non-conformism that characterizes the Modern Art becomes Contemporary Art, a system that freezes in the ideologically correct. And the ldéologie new is that the aesthetic and the sharing of the beautiful with the population, is no longer a goal of the official art. The art must be the opposite of what has been done in the past. The inversion of values is complete, and totalitairement imposed.
Contrary to what the prétend be the Contemporary Art, it’s official, the one that is installed in the permanent collections of museums, or in some specialized exhibitions, is an art frozen, academic, exhausted by a system and an obsession : the New Modernity. It is the Art of the clean slate of the Past : an art without roots, reserved to an elite of so-called "Comprenants" who despise the peoples, they rule "democratically".
The essential difference between Modern Art and Contemporary Art Official can be understood very simply :
– Modern Art is seeking a change of aesthetic. A Beautiful new. A Beautiful one that no longer complies with the standards are those in force since the end of the gothic and the renaissance. The artists seek also this new aesthetic up top in the past : the periods of Paleo-christian, Byzantine, Romanesque, and early Gothic. The artists are going back in particular to the "paint flat", that is to say, the volumes flattened and the perspective reduced. They take the aesthetics of painting in two dimensions, to the detriment of the painting in three dimensions that has prevailed since the end of the gothic and the renaissance. The artists of the modern art value sketch, which has always existed, but they make it an art terminal. Modern Art has invented a wholly new aesthetic : abstract art, non-figurative, which we can consider that there is no precedent in Europe. May be in China, but in quite another spirit. Nothing geometric in abstract art chinese. Everything is in the expression of the Breath that animates the Ten Thousand Beings.
– The Contemporary Art is the antithesis of the Modern Art, though it is tempting to lie in its continuity : It denies the Aesthetic. The Beautiful must not be a purpose of the item With the Contemporary Art, the West does not change aesthetics. The West comes out of the Aesthetic. It is a total break with the art of the european past. In short : it is Non-Art. This is a first not only in the history of painting and sculpture in europe, but also in the history of world art.
And of course as it is New, "Never Seen", its inspirers and supporters are very proud of it: This art between in the creed of their religion, Modernity, Light. And so, they love it. Amen.

It is true that next to official art, there is a space of freedom for artists, faithful to the Beautiful and the Meaning is shared, in private art sales and the art of the streets ( not all the art of the streets !!). But the essential question remains : As the art of Egyptian, Greek, Roman, Catholic, Contemporary Art official is a reflection of the thinking of the elite ideological and political current, of his vision of the world, and his project for the peoples. We can say that it reveals its deep intentions. And they are ugly and absurd, that is their art, Their art reserved betrays their public discourse that are democratic.

MODERN ART: THE RENEWAL OF FORMS

Modern Art, announced from the beginning of the 20th century by the romantic painters (Constable, Turner, Delacroix) and pre-impressionists has been a factor quite remarkable renewal of aesthetic forms in European painting. Stis essential characteristic is certainly his invention will, his desire for change, expressed in painting, in the use of colors, in the search for a new design, in the diversity of topics. It can be said that European civilization differs from other great civilizations through the constant research, on the scale of centuries, of innovation. This was not the case for example of Islamic and Chinese civilizations whose values have infinitely more given priority to the sustainability and the maintenance of traditions. Once again we see that art is a developer of the values that drive the societies.

The techniques used by European painters during the 19th century to create a new art, are many. Except by omission, and we can enumerate:
1° "The Flat Painting", for example with Manet, Gauguin, Maurice Denis, the Nabis … This technique reduces gold removes volumes and perspective and focuses on lines. The painter no longer tries to represents the world in three dimensions, as he has done for centuries. The painter offered a vision of the world that accepts the flatness of the table. The artist paints in two dimensions. She returned to an aesthetic that was practiced by the Byzantine painting, Romanesque and Gothic. With other themes obviously, since one of the features of modern art is the increasing scarcity of religious motives gold inspired by Greek and Roman antiquity.
2° The decomposition of light and colors with spots and dots. "The Tachism". The Pre-Impressionists, the Barbizon School, Corot, The Impressionists. the Pointillist (Seurat, Signac)
3° The arbitrary and symbolic colors. The artist moves away of the colors "real", those perceived by the eye and the human brain, and invents arbitrary colors: Gauguin, the Fauves, symbolism, surrealism … It is a technique that painting Romanesque and Gothic had practiced regularly.
4° The valorization of the Sketch. The sketch was, for centuries, only what its name indicates: a preparatory study for a final painting. In the 19th the sketch becomes a permanent process, terminal, completed, of artistic expression.
5° The Geometrism. The decomposition of space and volumes of the real world into lines and surfaces, more or less, synthetic and significant. (Cézanne, Braque). We also talked about Cloisonnism. Which will lead to abstract art.
6° The "multiplicity of perspectives" on an object. Technique that seeks to make the real, as if you looked at him, at the same time, from several points of space. (The Cubist)
7° Abstract art, finally, a novelty almost complete in the European part

Art has always been a way to dream the real world. Goal news techniques of Modern Art, are moving away from, a manner very intentional, voluntarist, of the exact representation of reality.
The painters tends to create an art in which the interpretation of reality prevails over sti reproduction.
The "modern" artist reproduces reality, but also the dream and invents it. These tendencies have led to non-figurative art, otherwise known as abstract art.
This renewal forms in painting is total.
It has brought new opportunities, exciting, and beautiful, artistic expression.

It must of not confusing Modern and Contemporary Art. They do not cover the same period. They do not have the same aesthetic characteristics or the same ideological foundations.
The Modern Art covers a period that goes from pre-Impressionists, to 1850 to 1860, until the Second World War. This is at least the periodization the most commonly accepted by art historians.
Other historians begin “Modern Art” a little later with the post-impressionist and abstract art, circa 1900. The broadest definition is certainly the best because Impressionist artists are fully "modern".

We can even think that Modern Art began as soon as the peace returned to Europe after 1815, with some romantic painters like the French Eugene Delacroix, or with William Turner, a fantastic innovator, announcer of impressionism and non-representational art, who died in 1853. These two artists have made with the sketch a privileged means of artistic expression.
The painters of this period are already deeply inspired by the desire for innovation that characterizes modern art. The period of Modern Art, extremely dynamic, is the other, another major feature rich diversity. It fits perfectly in the history of European art, She does not repudiate the past, academic art is quite practiced, but it is also remarkably creative multiple works, inventive forms entirely new of aesthetic expression.

Contemporary Art imposed itself in Europe after 1945. Some historians fixed sti birth in the 1950s. One can also claim, with a lot of reasons, that its date of birth, in any case ideological and political, is the creation in New York. of the Moma by the Rockefellers (1929). The dates are of course approximate and some painters like Picasso gold Miro belong to the spirit of the Modern Art, while they remain very creative after 1945.
In painting and sculpture, diversity gives way to a profound uniformity dissimulated behind the appearances of innovation.
The explosion of originality, freedom, and non-conformism that characterizes Modern Art becomes with contemporary art, a system that congeals in the ideologically correct. And the new ideology wants that aesthetics and the sharing of beauty with the population, is no longer a goal of the official art. Art must be the opposite of everything that has been done in the past. The inversion of the values is total, and totally imposed.
In painting and sculpture, diversity gives way to a deep uniformity, hidden behind the appearances of innovation and even of the provocation. The explosion of originality and non-conformism that characterizes modern art becomes a system that hard lockups back in the ideologically and aesthetically correct. Contrary to what he claims to be, contemporary art, official, one installed in the permanent collections of museums, or in some specialized exhibitions, is a static, academic, exhausted by a system and an obsession: the New, the Modernity. This is the Art of the clean slate of the Past: an art without roots, reserved for an elite of so-called "Comprenants" who despise the people, that they govern "democratically".
The essential difference between Modern Art and Official Contemporary Art can be understood very simply:
– Modern Art seeks a change of aesthetic order. A new Beautiful. A Beautiful who no longer obeys the standards that are in effect since the end of Gothic and rebirth. Artists are also looking for this new aesthetic in going back to the past: in the Paleo Christian era, Byzantine, Romanesque, and the first Gothic. The artists return in particular to the "flat painting", ie to the flattened volumes and to the reduced perspective. They take up to the aesthetics of two-dimensional painting, to the detriment of the three-dimensional painting that has prevailed since the end of Gothic and rebirth. The artists of modern art also value the sketch, which has always existed, but they make it a terminal part Modern Art, invents a totally new aesthetic: abstract, non-figurative art, which can be considered to have no precedent in Europe. May be in China, but in a different spirit. Nothing geometric in Chinese abstract art, Everything is in the expression of the Breath that animates the Ten Thousand Beings.
– Contemporary Art is at the Antipodes of Modern Art, although it tries to situate itself in its continuity: It won’t Aesthetics. The Beautiful must no longer be a finality of art. With Contemporary Art, the West does not change aesthetics. The West get out of Aesthetics. This is a total break with the earlier European art In short: it’s the Non-Art. This is a first not only in the history of painting and European sculpture, but also in the history of world art
And of course as it is New, "Never Seen", its inspirers and supporters are very proud of it: This art enters into the creed of their religion, that of the Luminous Modernity. And so, they love. Amen.

It is true that alongside the official art, there is a space of freedom for the artists, faithful to the Beautiful and the Shared sense, in the private commercial art and the art of the streets (not all the art of the streets !!). But the essential question remains: Like Egyptian, Greek, Roman, Catholic art, the Contemporary Official Art is a reflection of the thinking of the current ideological and political elite, of its vision of the world, and of its project for the peoples . It can be said that he reveals his deep intentions. And they are ugly and absurd, that’s what their art says. Their reserved art betrays their democratic public speeches.

By jean louis mazieres we 2019-03-20 14:37:19
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Freelance Sketchup and Vray Teacher – JFL Media Training – Ottawa, ON

Freelance Sketchup and Vray Teacher – JFL Media Training – Ottawa, ON

We are currently looking to expand our team at JFL Media and are looking for Sketchup and Vray freelance teachers.

We offer private courses, either one on one or in a small group at our client’s home or at their work. Lessons are fully customized to our clients needs and level of experience – workshop style – merging theory and practice to offer a very comprehensive learning experience.

Classes can be delivered during the week or weekend, day or evening depending on your availability and the client’s requests. No preparation for your class is required nor do you need to bring class material for the client. Each class lasts 3 hours.

Teachers need to have a laptop and the required program on their computer in order to offer the course. A car is not required but if you have one, please advise us because we do offer classes outside of the city centers, if you are interested in travelling for a bonus amount.

Our company is www.jfl-media.comand we sell private training all over Canada. JFL Media is a very relaxed and flexible environment. Our teachers are our most important asset and love creating opportunities for people on our team.

Please email us here if you’re interested

Job Types: Part-time, Temporary, Contract, Freelance

Experience:

  • Vray: 1 year (Preferred)
  • Sketchup: 1 year (Preferred)

Language:

  • English (Preferred)
  • French (Preferred)

Published at Mon, 08 Jul 2019 20:01:11 +0000

Freelance Revit Teacher – JFL Media Training – Ottawa, ON

Freelance Revit Teacher – JFL Media Training – Ottawa, ON

We are currently looking to expand our team at JFL Media and are looking for Revit freelance teachers.

We offer private courses, either one on one or in a small group at our client’s home or at their work. Lessons are fully customized to our clients needs and level of experience – workshop style – merging theory and practice to offer a very comprehensive learning experience.

Classes can be delivered during the week or weekend, day or evening depending on your availability and the client’s requests. No preparation for your class is required nor do you need to bring class material for the client. Each class lasts 3 hours.

Teachers need to have a laptop and the required program on their computer in order to offer the course. A car is not required but if you have one, please advise us because we do offer classes outside of the city centers, if you are interested in travelling for a bonus amount.

Our company is www.jfl-media.comand we sell private training all over Canada. JFL Media is a very relaxed and flexible environment. Our teachers are our most important asset and love creating opportunities for people on our team.

Please email us here if you’re interested

Job Types: Part-time, Temporary, Contract, Freelance

Experience:

  • Revit: 1 year (Preferred)

Language:

  • English (Preferred)
  • French (Preferred)

Published at Mon, 08 Jul 2019 20:01:20 +0000

Freelance 3D Studio Max Teacher – JFL Media Training – Ottawa, ON

Freelance 3D Studio Max Teacher – JFL Media Training – Ottawa, ON

We are currently looking to expand our team at JFL Media and are looking for 3D Studio Max freelance teachers.

We offer private courses, either one on one or in a small group at our client’s home or at their work. Lessons are fully customized to our clients needs and level of experience – workshop style – merging theory and practice to offer a very comprehensive learning experience.

Classes can be delivered during the week or weekend, day or evening depending on your availability and the client’s requests. No preparation for your class is required nor do you need to bring class material for the client. Each class lasts 3 hours.

Teachers need to have a laptop and the required program on their computer in order to offer the course. A car is not required but if you have one, please advise us because we do offer classes outside of the city centers, if you are interested in travelling for a bonus amount.

Our company is www.jfl-media.comand we sell private training all over Canada. JFL Media is a very relaxed and flexible environment. Our teachers are our most important asset and love creating opportunities for people on our team.

Please email us here if you’re interested

Job Types: Part-time, Temporary, Contract, Freelance

Experience:

  • 3D Studio Max: 1 year (Preferred)

Language:

  • English (Preferred)
  • French (Preferred)

Published at Mon, 08 Jul 2019 20:02:06 +0000

History of rock: Formation of an epic genre

“;

More importantly the rock music scene has always ever since then seen a continuous growth. It is in the hearing where this form of music is not just the genre but also a place where people get the sense of belonging. It is that form of music that not only gets everyone crazy but also express his or her true thoughts through music. History of rock is as exciting as the genre itself. The number of genres combined together has developed the music of this form. The rock music has always seen a market that has never turned down the expectation of the rock bands. The term rock band in the usual sense includes vocals, guitars, bass, drums and other additional instruments. It is that forms of genre in which the entire band works as a team and the collective effort by various group of musicians not only compose the songs purpose write their own songs.Some say that it was in 1954 when Elvis Presley that was termed as the first rock music record. However, for many people the awareness of this form of music cam by the formation of various bands like the Beatles, ABBA. It was then when the music scene was seeing a very steady growth. The new forms of the rock music included shock rock, punk rock, psychedelic rock, blues-rock, jazz-rock, and even the funk rock. The legend in the world of guitar players, Jimi Hendrix is probably the world’s favorite guitar player.As one moves on the genres of rock music went on different roads. Some became soothing and soft, peppy and eye catchy for teenagers while others became heavier and faster in terms of guitar riffing. The pop genre is formed out of rock music and at the same time heavy metal is also a form of rock music. With the passing of the old era as it is said cam the bands like Led Zeppelin, AC/DC, Deep Purple, Metallica, Motorhead and Deep Purple. These legends took the music to a whole new level and it is to be noted that now the rock music is spread all across the world. Source: Free Articles from ArticlesFactory.com

ABOUT THE AUTHOR
Author writes for Jazz and Blues Lesson Plans, Instruments of the Orchestra and Music Worksheets.